Noli Me Tangere 5th Edition By Maria Odulio De Guzman Family
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ABSTRACT The Philippines is now a nation of one hundred million people who live in seven thousand one hundred islands and speak one hundred seventy languages including Spanish, English and Chinese. Literary translation in the various languages of the islands is a significant activity that creates cultural linkages among the diverse language and ethnolinguistic groups. There are now literary translations from Philippine indigenous languages to the major languages – Filipino (the Tagalog-based national language) and English. Tranlations of transcribed texts of ethnoepic poetryfrom non-Tagalog speaking communities ( e.g.
Ifugao, Ilokano, Manuvu, etc.) to Tagalog and English conjure a supernatural miraculous culture signifying an expansive literary imagination among the indigenes. The literary translation of Jose Rizal’s works into the English, Tagalog and the major ethnolanguages of the country contributes to creating a Rizal saga which is one journey Filipinos undertake in their quest for nationhood. In this light, literary translation brings Philippine communities closer and in harmony rather than fragmentation. Filipinos, because they are separated into ethno- linguistic communities in several island groups, appear to be divided and disintegrated. The translated texts however reveal otherwise.
These literary texts metaphorically embark the Filipinos in their primal balangay (or barangay, the indigenous river vessel) to go from port to port in every island and discover stories, myths, legends, poetry and song which illuminate the Filipino’s character and disposition. This journey’s destination can only be toward spaces where national identity and global recognition can be achieved. Keywords: literary translation, translation acts, ethnoepic poetry, enabling miraculous culture, the Rizal saga, cultural convergence, metaphorical river journey, national identity, global Filipino diaspora Introduction The literary translation of indigenous Philippine folktales, legends, myths, ethno- epics and other narratives has been predominantly bilingual, i.e., from Tagalog or Ilokano, or any other Philippine language into English, or Spanish or any other foreign language and vice versa. This has been the dominant translation practice and the main translation act for literary texts in the islands for centuries since Spanish colonization. In 1983, with support from the ASEAN (Association of Southeast Asian Nations) Committee on Culture and Information, literary translations into English of five of the over one hundred Philippine epics was completed and published as the Anthology of ASEAN Literatures: Epics of the Philippines (1983, Castro, et. Al.) A version in Filipino, Antolohiya ng mga Panitikang ASEAN: Mga Epiko ng Pilipinas was also published (1984, Castro et. Al) These volumes begin what I believe is a significant practice in the translation of Philippine literary texts from bilingual to trilingual and/or multilingual. Libro masaje deportivo pdf.